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Self-Tape Technique: Auditioning in Today's Industry

The film and tv industry is now auditioning primarily virtually - via self-tapes and zoom callbacks. This is GREAT news for PNW actors; we can now be seen for bigger projects that have traditionally been reserved for actors who live in LA or NYC. But, taping your audition can feel daunting too. So how do we take the form of self-taping and use it to our advantage? This course, taught by Angie Tennant, is designed to demystify the art of putting yourself on tape. You’ll walk away with tangible storytelling tools that you can apply immediately to your auditions to highlight your unique character choices and help you stand out from the crowd. 

Whether you're looking to improve your audition skills, turn in that perfect self-tape, or hone your craft in a one-on-one setting, a private session can help propel your work to the next level. I'm now offering the chance to work with me for monologue coaching, self-tape coaching, and technique coaching. These sessions can be booked as singular or recurring appointments. Students will have the opportunity to film their progress and use the footage for their reels.

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Resumé

Education

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The New School for Drama; New York, NY

Master’s of Fine Arts; Graduated May 2015 (GPA- 3.8)

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Pacific Lutheran University; Tacoma, WA

Theatre BFA Major, English Minor; Graduated May 2012 (GPA- 3.87)

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Teaching Experience

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Jan 2025-current

21ten Theatre; Portland, OR

Teacher: Analysis Through Action: Script Analysis for Actors​

  • Create curriculum for a 7-week course

  • Teach the history/lineage of the Russian development of Analysis Through Action

  • Lead étude explorations for 8-10 students from various plays

  • Provide feedback to students after their étude work

  • Introduce new script analysis techniques based on the Analysis Through Action work

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Nov 2024-May 2025

The Actor's Conservatory; Portland, OR

Teacher: Acting for Film 1 & 2 (Conservatory Program)

  • Create syllabus for 2 two-credit courses

  • Facilitate educational discussion on the technique of acting on camera

  • Assign sides for students to work on in class

  • Guide actors through in-class script analysis work 

  • Give notes to increase each actor's understanding of the techniques discussed

  • Assign reading from The Actor and the Target and lead discussions on the acting technique described

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Sept 2024-Dec 2024

Pacific University; Forest Grove, OR

Teacher: Acting 110: Fundamentals of Acting

  • Create syllabus for a two-credit course

  • Facilitate educational discussion on the technique of theatre acting

  • Present the foundational techniques of Viewpoints and the Laban Movements

  • Craft and execute in-class exercises to apply Viewpoints and Laban theory into practice

  • Assign monologues for students to work on in class

  • Guide actors through in-class acting exercises 

  • Give notes to increase each actor's understanding of the techniques discussed

Teacher: Acting 112: Advanced Fundamentals

  • Create syllabus for a two-credit course

  • Facilitate educational discussion on the technique of theatre acting

  • Create and lead warm-up exercises

  • Craft and execute in-class exercises to explore character development

  • Assign scenes from plays for actors to work on in-class

  • Give notes to enhance the actor's understanding of the character and the arc of the scene

Teacher: Applied Theatre 320: Devising

  • Create syllabus for a two-credit course

  • Facilitate educational discussion on the technique of devising theatre

  • Present the foundational techniques of Viewpoints and how they correlate with the building of theatrical storytelling

  • Craft and execute in-class exercises to build specific characters

  • Lead brainstorming discussions to build the world of the play

  • Write the script for the devised piece, based on the characters the students created and in-class discussions 

  • Direct a final 30-minute performance of a fully devised piece of theatre 

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Sept 2023-current

The Actor's Conservatory; Portland, OR

Teacher: Self-Tape Technique (Studio Program)

  • Facilitate educational discussion on the technique and expectation of self-tape auditioning

  • Assign sides for students to work on in class

  • Guide actors through in-class work on sides

  • Give notes to increase each actor's understanding of the techniques discussed

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Sept 2022-April 2023

Cathedral Park Performing Arts Collective; Portland, OR

Teacher: Improv for Actors: Fundamentals through Play

  • Create curriculum for a weekly course over the fall semester

  • Introduce the fundamentals of storytelling, story analysis, and scripted & unscripted acting

  • Guide new actors through improv & acting exercises 

  • Structure etude explorations of improvised scenarios

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Jan 2020-May 2021

Columbia University; New York, NY

Teaching Assistant to Peter Jay Fernandez’s 1st year Scene Study course

  • Assist Peter Jay in administrative duties 

  • Provide feedback to students after their scene work

  • Provide post-graduate counseling to students to give an early-career artist’s perspective 

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July 2019-Sept 2021

Independent Analysis Through Action Workshops; New York, NY

Workshop Teacher

  • Create curriculum for a 2-day Analysis Through Action Workshop

  • Teach the history/lineage of the Russian development of Analysis Through Action

  • Lead étude explorations for 8-10 students from various plays

  • Provide feedback to students after their étude work

  • Introduce new script analysis techniques based on the Analysis Through Action work

  • Provide overall feedback to students after the entire workshop

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Sept 2016- Jan 2019

The New School for Drama; New York, NY

Associate Teacher/Teaching Asst. to David Chambers’ 1st & 2nd year courses

  • Assisted David in explanations of Analysis through Action technique

  • Collaborated with David to set curriculum

  • Coached students through script analysis assignments 

  • Led étude explorations of scenes from The Cherry Orchard

  • Led independent rehearsals for technique work with The Seagull

  • Led physical warm-ups for each session

  • Crafted and led physical explorations of storytelling

  • Liaison between students and other faculty

  • Collected written assignments

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Jan 2016- March 2017

Cotter Smith Independent Study; New York, NY

Teaching Asst. to Cotter’s ongoing workshop series

  • Assisted Cotter in administrative duties

  • Provided feedback to students after their étude work

  • Introduced and led new components of the Analysis Through Action technique

  • Assisted Cotter with integration of new technique exercises 

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Sept 2018- Dec 2018

Circle in the Square Theatre School; New York, NY

Guest Teaching Artist

  • Crafted and led physical explorations of storytelling

  • Introduced Analysis Through Action technique

  • Led étude explorations of the technique with provided scenes

  • Assisted Masque teacher with integration of technique

Email Angie to stay up to date on upcoming workshops and classes

Photos by Joe Loper Photography & Jennifer Alyse Photography

  • @actortennant
  • Angie Tennant on Facebook
  • @TennantAngie
  • Angie Tennant on Vimeo
  • Angie Tennant on YouTube
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